SYNOPSIS + CAST + TRAILER + MOVIE + BEHIND THE SCENES
Out of State started in 1992 when Blaise Kolodychuk wrote the script for a film called Life Sucks. It began the mythology about the Tree of Reason and various other elements that make up the world that became known as fukachuk egg machine. The original script was about a boy, who was only called the boy, and a girl who was called Jenny. And their search for this magical Tree that would allow them to feel happiness for the first time in their lives. The movie was never made. But the mythology behind it grew. It incorporated all the aspects of life that people go through to find their way to happiness. There is the tree, the goal of it all, the tree sticks that try to keep you from it, the frog man who tempts you with things to lead you down the wrong path, the lizard girl who takes care of the tree, the lizards who live in the forest surrounding the tree who do their best to help, the city that doesn't want to let you go, and many many more different things that go along with it all. In 1998 Blaise started making music under the name fukachuk egg machine, the music is all about this struggle and has spawned 15 different albums over the years, not to mention 5 short movies that follow the path to the tree of reason. Out of State has been written and re-written over and over again over the years, and in 2005 Blaise decided that it was re-written in such a way that it could be produced as a movie, that could be enjoyed by most people. It has many of the aspects of the original story but puts them in more of a real world scenario, at least for the first half of the movie, until they reach the town of Minehead. When the power of the tree and all which surrounds it crashes down on these people who came from the city to find it.
A very dear friend of mine, and possibly the only person in the
world who even comes close to understanding the messed up things I am always
trying to say, wrote an essay about "Out of State." She has got almost every
point right. So if you were wondering, "what the hell is this thing I am in
really all about," read on...
Out of state might be about the need to be creative, with people struggling to
get free of restrictions put on them by society, even if these restrictions are
constructed in their own heads and reinforced by their ideas of other people who
have power over them. Raymond is in a lot of ways the central character. But
Raymond-Jeremy-January, as people trying different ways to get to the tree of
reason, are the main character as one thing too.
There is a big split between men and women. Men are evil and control the world -
it’s men that will do anything for money, kill anyone to stay where they want to
be. (women might try but they’ll never succeed unless they’re being controlled
by men, and then they’ll fail once they’re useless). Raymond takes that idea of
maleness to the extreme. Women are things to be consumed, meat, blood, milk,
vitamins, nurturing, mothers. fuel for creativity, vessels. Or they are
something men have to be responsible for, and make demands of men. No women in
the film understand about the tree or about what Raymond has to do (except
Julie, but it’s an obvious part of her world).
This division of men and women, people fulfilling their proper roles, is
important because of the exception - Jeremy. He is trying to do what is expected
of him as a man, but doesn’t feel like he fits the stereotype. (but
paradoxically acts like other people should conform to it, i.e. he not only
feels responsible for, but in some ways controls January)
The dead beaver is a spokesperson for pure creative force, for the people
Raymond has to do what he’s doing for - for the greater good. or so it seems.
Hank, Dr Melaena, and Beefart and Cheenkaw represent different parts of society
which are not satisfying for Raymond, Jeremy and January. Hank is a ruthless
business man who will do anything for money without caring about who he hurts -
the dependence on money and having to work for it, and it feeling cold and
immoral. Dr Melaena is conventional ideas of medicine and help set up in
society, which can’t help them, don’t understand them and are, with the best
intentions, trying to normalize them rather than taking them seriously and
valuing them the way they are and believing them. She is also the ideal of a
‘normal’ woman, she has a purse, she goes on dates, she is looking for
satisfaction in conventional ways. Beefart and Cheenkaw are the police, laws,
the people ready to punish them for not conforming. They’re also only human -
the rules are made up and enforced by people.
Cassandra and Suzie have to be consumed for Raymond to complete his task, even
though he almost becomes attached to them as people, their lives are normal and
petty in comparison to the huge importance of his, and their deaths are nothing
compared to the good Raymond needs to do.
Bruce, Julie and The Frog Man are all people from the other dimension, where
Raymond is trying to return. they have been sent to this dimension perhaps as a
punishment. Bruce is selfish and ruthless, wants to stay here. The Frog Man is
slimy, creepy and pure evil, but acts ambiguously. Julie is Bruce’s woman. She
acts as is appropriate for a woman, (“julie will be happy to get you something
to drink”) facilitating Bruce, letting him know that something needs to be done,
but not doing it on her own (i.e. when Beefart and Cheenkaw come to the bar),
protecting Bruce’s home he’s made in the town, only Bruce controls the control
panel. she reads romance novels. They are manifestations of imagination and
creation in the ‘real’ world. Bruce, working for the rest of the town, is
manipulating Raymond so that he, and the rest of the town, can stay in this
dimension (which is actually not THIS dimension, it’s in someone’s head, and the
whole point of this is to get inside somebody’s head, even if bits of it are
closed off), but Raymond is trying to get back to where he belongs so if he
succeeds he would get what he wants even if he’s being manipulated.
Raymond, Jeremy and January are all linked. in some ways Jeremy and January are
one person, in some ways Jeremy and Raymond are one person, in some ways all
three of them are one unity, at some points January is an extension of Raymond -
acting under his influence (but he’s acting under Bruce’s influence, who is
perhaps acting under the influence of the ‘They’ in the other dimension). They
are all trying to get to the Tree of Reason.
Raymond can’t fit in. His desires to be creative and effective and to express
himself and belong, to be heroic, are too huge to resist. His mission is more
important than the lives of anyone around him. he is frustrated by their
inability to understand that he is driven by different forces than can fit into
their narrow views of what is normal. In order to be an effective, important
person he has to punish and destroy the people that can’t understand and get in
his way. Raymond has to hypnotise the women (with pretty things, because what
girl doesn’t like pretty things) so he can consume them. They’re bad for not
giving it to him, because they are too unimportant to
realise how much he needs to consume them, but if they offer it to him they’re
evil and trying to kill him. Have to be hypnotised because they would resist
otherwise, or want something other than to give you what you want, what you
need. Ultimately they need to be punished and destroyed because they could never
understand. He is desperate to be understood. but he never explains to anyone
because it is too big and important to put into words, and there’s no point
because nobody would understand.
Jeremy has taken it on as his responsibility to make him and January alright, to
get back to the happiness they had in the past. He almost entirely represses
himself as an individual to think in terms of ‘us’ - Jeremy+January. He is
trying to do the right thing and keep everyone alright, but is struggling
against an uncaring society that only prescribes them pills and tries to tell
them they’re fixed. he loves January and wants to care for her, but at the same
time he resents her for putting pressure on him (but only Raymond can express
that). He doesn’t feel like he can fit the stereotype of being a man, being
brutal and ruthless, powerful (Raymond takes this to the opposite extreme,
proving he can dominate people who get in his way). All he has left are his
dreams.
January loves Jeremy, but she (on the surface) mostly thinks of herself, and is
trying to find her own happiness, but relies on Jeremy to find the way to save
them. She is ineffective and can only do anything with Jeremy or if she is being
controlled by Raymond. She is Jeremy’s woman and she betrays him because she can
be manipulated by another man, she doubts Jeremy and that weakness lets Raymond
manipulate her. She luresJeremy to his death by offering him a fuck. She
consumes him, but only under Raymond’s control. She is Jeremy’s ultimate
downfall because she can’t understand what Jeremy tells her about the tree, she
can’t dream now, and doesn’t properly reject the idea that relying on pills to
fix her will never work, she carries the picture of Beefart and Cheenkaw with
her, symbolically not letting go of rules, and she perhaps misunderstands and
doesn’t listen to the ghost. She does get to the tree, but she only releases its
power by accident, and the only way she can possibly find somewhere to belong
is
by becoming Raymond. As January, she is looking too hard in the wrong places -
seeing Siamese Cats. That aren’t there. (even on the tree, but at least the tree
has made her dream again)
The ghost might be Raymond, or might be something from somewhere else,he might
be the force of good, or he might be ambiguous, in a world where really there is
no good or evil, however hard people try to see it that way, he is the force of
the unknown, hope, and possibly dreams. At the same time, whatever he says, he
is partly or wholly responsible for January killing Raymond, whether
intentionally or by accident.
The Tree of Reason is the way people can be saved. It is something inside
everyone which can save them. Even if Bruce is controlling how people get to it,
it is something bigger and beyond him. It is an alternative to other paths which
have failed - looking for happiness, a sense of belonging or a purpose, a
meaningful life, a sense of identity; through pursuing your own desires; from
conforming to society and being what you ‘should’ be; from trying to help other
people. It is something unknown, intangible - a way to get somewhere else or be
someone else. It is a boundary that lets people change, it is freedom and home.
But it is conditional and it has motives of its own, whether in itself or from
the ‘They’ behind it. It is an important part of a bigger plan which gives all
life meaning.
It’s not only about saying that rules are arbitrary and there are other ways of
thinking about things, different moralities. It is about struggling with the
difficulty of trying to fit in, feeling unimportant and unable to change the
world and even to control your own life. Conforming feels like it compromises
your sense of being an individual, which is hard to hang on to anyway if you
don’t exactly know who you are.
It is about feeling trapped by responsibilities and other people’s demands on
you, and feeling guilty about wishing that they would let you do what you want,
but also not knowing what you want.
It’s about having no choice about expressing yourself and being taken over and
controlled by creative forces which you can do nothing to stop and which are
more important than anything else. It is about feeling guilty for not stopping
your creative desires even when it goes against what other people want from you.
It’s about frustration and that the rules of society, norms of society and of
people trying to help you being ineffective, and being desperate and sad that
you need to do something to save the world, to be important. Feeling trapped by
only being able to do what other people make you do or being controlled by
desires and impulses you can’t do anything to restrain, when on one level you
don’t feel you should have to do anything to restrain, at the same time as
feeling guilty about it. wanting to act for yourself.
It’s about lost people looking for a way to be alright.
Out of State World Premiere